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The dictionary’s founder, Eduard ��ö���ڴڱ�����, who died in 1908, described entries in the T.L.L. not as definitions, but “biographies” of words.

The contrast isn’t without exceptions, but ��ö���ڴڱ�����’s typology remains helpful: If Renaissance painting aimed to depict “the solid figure,” the art of the Baroque era favored “the changing appearance,” “movement” and “the form in function.”

Pevsner studied under Heinrich ��ö���ڴڱ�����, whose Principles of Art History is included here.

Critical edition of the Benedictine rule by ��ö���ڴڱ�����, Leipsic, 1895; in Migne's edition there is an elaborate commentary with many illustrative extracts and formulæ, as well as traditional glosses.

This one illustration out of many not only discloses the fact that the Romance languages are to be connected with colloquial rather than with literary Latin, but it also shows how the line of investigation opened by Diez, and that followed by ��ö���ڴڱ����� and his school, supplement each other.