Tzara

Before relocating, Man Ray had been befriended by Marcel Duchamp and Tristan Tzara, two vanguard artists.

Experimental writers have given us reasons to doubt this theory since early last century, when Tristan Tzara and others sought to eliminate conscious decisions from their work.

He takes her to parties where she meets an array of artists, among them Salvador Dalí, Tristan Tzara and Jean Cocteau, who casts Miller in a film.

Tzara’s was a serpent swallowing its tail, which symbolized the cycle of destruction and rebirth and had become popular since the defeat of the gods.

Tom Stoppard’s historical whirligig, a semi-invented tale of a Zurich rendezvous between James Joyce, Vladimir Lenin and the Dadaist poet Tristan Tzara, ends its Broadway spin.