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In the last and oddest of them, a male chorus implores listeners to draw close to Allah, singing from the text of an early 19th-century version of “Aladdin” by the Danish playwright Adam ��������Բ������ä�����.

The first two volumes of Oehlenschlager's Lebens Erinnerungen have appeared at Vienna, and attract more observation than anything else in the late movements in the German literature.

Thus it was that Ibsen, like ��������Բ������ä����� before him and Björnson in his own day, made the Sagas his starting-point.

A German translation is announced of the lately deceased Danish poet, Oehlenschlager's Autobiographical Reminiscences.

Oehlenschlager has an old reputation in this country as the author of the fine-art drama, “Correggio,” and of a still finer theatrical version of the Arabian Nights' tale, “Aladdin and the Wonderful Lamp,” both of which were introduced to the public a quarter of a century ago in Blackwood's Magazine.