Nolan

Of the three, which include Clint Eastwood’s “Juror #2” and Christopher Nolan’s “Tenet,” Coogler’s film is the only one written and directed by a Black filmmaker.

For many moviegoers, the fervor about the genre-bending film is matched by excitement for Coogler’s technical accomplishments, which follows in the footsteps of Christopher Nolan’s best picture winner, “Oppenheimer.”

“Sinners” puts Coogler in the same company as renowned filmmakers Nolan, Tarantino, Paul Thomas Anderson, Martin Scorsese and Steven Spielberg, who have the clout and expertise to shoot on film, said Keighley.

So when a movie was shot, like “Sinners” was and like Christopher Nolan does his, I want to see it in 70mm Imax, and Indianapolis was the closest.

I’m glad he and Christopher Nolan are putting their weight behind 70mm Imax.