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It was a delivery reminiscent of the program’s opener, “���𳾳����԰�ä���Ա��’s Return,” the fourth legend from Sibelius’s “���𳾳����԰�ä���Ա�� Suite,” based on the “Kalevala,” Finland’s national epic.

Daniil Trifonov, a welcome fixture at David Geffen Hall, will join for a program of Robert Schumann’s Piano Concerto, as well as selections from Sibelius’s “���𳾳����԰�ä���Ա�� Suite” and Raminta Šerkšnytė’s “De Profundis,” from 1998.

This isn’t an orchestra that does spectacular soft atmosphere, but moments like the stillness of the second movement, “���𳾳����԰�ä���Ա�� in Tuonela,” when the barest shiver of violins is frosted by the barest shiver of rat-a-tat drum, were finely controlled.

Replacing the young hotshot Mirga Grazinyte-Tyla, who would have made her Philharmonic debut with these concerts but remains on maternity leave, Paavo Jarvi conducts a program of Sibelius’s “Lemminkainen and the Maidens of the Island,” the second suite from Ravel’s “Daphnis et Chloé” and Dvorak’s Cello Concerto.

In January, Salonen will go to San Francisco to conduct a program of consisting of Strauss’s “Also Sprach Zarathustra,” Sibelius’s “���𳾳����԰�ä���Ա�� Suite,” and “Metacosmos,” a hypnotically seething soundscape by the forty-one-year-old Icelandic composer Anna Thorvaldsdottir.