Cavalcanti

Cavalcanti, Brunelleschi’s adopted son and heir, sculpted the life-like bust from a nearly solid block of clay, in early 1447, before completing the monument later that year, experts said.

Art historians Giancarlo Gentilini and Alfredo Bellandi identified the sculpture as a model by Andrea di Lazzaro Cavalcanti for the marble bust of Brunelleschi in the memorial monument in the Florence Cathedral.

"We clearly show that expanding these three programmes is a viable strategy to mitigate the health impact of the current global polycrisis," says Daniella Cavalcanti, co-first author of the study.

Ormrod, Venkatesh and Barrett’s paper “addresses the question of which classes of theories are incompatible with absoluteness of observed events—and whether absoluteness can be maintained in some theories, together with other desirable properties,” says Eric Cavalcanti of Griffith University in Australia.

Emiliano Di Cavalcanti’s painting “As Mulatas” suffered seven slashes.